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The Shiv Sena is trying to turn the tables on the Bharatiya Janata Party (BJP) with its ‘transparency and good governance’ claim..The word ‘transparency’ had become a talking point in Brihanmumbai Municipal Council (BMC) elections. Chief minister Devendra Fadnavis had aggressively pushed this issue trying to paint Sena as a corrupt party. Similarly, Sena chief Uddhavji has raised the same question about the working of the state government." Mr Fadnavis, as if already aware about Sena ministers’ strategy of raising the issue of transparency, fiberglass coating manufacturers replied positively. Mr Shinde further said, "Everyone, be it state minister, journalists, opposition leaders of both Houses, state Lokayukta, should get a chance to be present at Cabinet meeting.  Demanding ‘transparency’ in the Cabinet meeting, Mr Shinde said, "The chief minister made an issue of transparency while campaigning for BMC elections." Journalists are permitted to sit and watch the proceedings of standing committees in municipalities. They are not allowed to do so in Cabinet meetings. From Sena’s side, transport minister Divakar Raote, MSRDC minister Eknath Shinde and health minister Dr Deepak Sawant were present for the meeting.Cabinet sources said the CM gave a "positive" reply to their demands, saying that the government needs to see the constitutional provisions and if needed, shall move the Centre to make Cabinet meetings and decisions more transparent. This was the first time that leaders of each party came face to face after almost a month. Sena ministers were aggressive in the meeting, ahead of the key budget session of the state Assembly. As standing committees in municipalities allow straight entry of journalists, the same should be applicable in state Cabinet meetings.On Friday, the first Cabinet meeting was held after the bitter BMC campaign carried out by BJP and Sena against each other. This could only make the Cabinet transparent. In reply, Sena had put forth the Union finance ministry’s ‘Economic Survey of India’ from 2017 in which BMC had been called the most transparent civic body in the country. In the first state Cabinet meeting on Friday after the bitterly fought Brihanmumbai Municipal Corporation (BMC) elections, the Sena raised the issue of transparency, asking chief minister Devendra Fadnavis to make Cabinet meeting proceedings open for the public like the BMC standing committee.

The Oculus acquisition was more expensive than the $2 billion price tag indicated, Mr Zuckerberg said in court.Mr Zuckerberg, the founder of one of the world’s largest companies, faced hours of tough, public questioning about where Oculus obtained its ideas and how much he knew about the startup when Facebook bought it for $2 billion.Mr Zuckerberg, wearing a dark suit and striped tie rather than his typical T-shirt and jeans, answered, "no," but then added: "The idea that Oculus technology is based on someone else’s is just wrong. ZeniMax said Oculus unlawfully used its intellectual property to develop the virtual-reality system that includes the Rift headset. "

If you steal my bike, paint China acrylic polymer it and put a bell on it, does that make it your bike?," he added.During one heated exchange with ZeniMax lawyer Tony Sammi, Mr Zuckerberg told a jury in the courtroom that the technology was not even fully formed when Facebook bought it."Improving on that technology doesn’t make it yours," Mr Sammi countered.." The Facebook founder has spoken about virtual reality as an important part of the company’s business, especially as the technology becomes less expensive and its uses clearer.A jury is hearing evidence in a civil lawsuit brought by videogame publisher ZeniMax Media Inc against Oculus in 2014, in the middle of the Facebook-Oculus deal.Dallas: Facebook Inc chief executive Mark Zuckerberg took the witness stand in Dallas federal court on Tuesday and denied an allegation by a rival company that the virtual-reality technology of Facebook’s Oculus unit was stolen.

Further into the cemetery lies the tomb of Compay Segundo, the singer and guitarist who garnered worldwide fame as a member of the Buena Vista Club.On Sunday, his remains reached Santiago, the city where Castro launched his revolution and where a final, mass gathering in the citys Revolution Plaza was held before his ashes are interred at Santa Ifigenia. The street is named after a revolutionary fighter who residents say was dragged through the street and killed by Batistas forces.Thousands if not millions of Cubans have lined the central roadway connecting the islands two largest cities over the last four days, chanting and waving banners as the cedar coffin carrying his remains drove by.

The residents include a mix of factory workers, retired revolutionary combatants, engineers and students.Residents along the winding street spent Saturday making signs with revolutionary phrases like "I am Fidel," and hanging Cuban flags from their doorways.Cuban officials have said nothing about future access to Castros tomb, but FR coating for home & contract its apparent location alongside Martis, a grand site heavily visited by tourists and Cubans alike, indicates that there will be some form of public access to the grave of the man who led Cuba for nearly 50 years and died on November 25 at 90. A few signs for private business, including one specializing in eyeglass repair, line the street. Today it is a mix of crumbling brick homes and new cinderblock constructions in bright coats of blue and aqua paint. In the countrys vast, rural stretches, Cubans packed into buses and tractor trailers, many as part of work or school groups, to wait hours under a blistering sun to say goodbye.Eugenio Rodriguez Fonseca, 82, who said he was part of the revolutions clandestine operations, stood outside his home, six golden metals commemorating his participation pinned to a worn white collared shirt.Santa Ifigenia also houses the remains of historic figures whose families fled after the revolution and are seldom mentioned by officials, like Emilio Bacardi Moreau, who managed his familys rum dynasty and died in 1922. The Bacardi family left Cuba in the early years of the revolution after their properties were nationalized by the Castro government. Nearby stands a memorial to rebels killed in or executed by Batistas forces after the 1953 attack on the Moncada Barracks, Castros initial, failed attempt to foment revolution."Im crying inside," he said as his great-granddaughter sat nearby, the name "Fidel" painted across her forehead."Its been a while since theyve been bringing materials," said Roberto Lamar Herrera, 73, a retired railroad manager.The cemetery is located in the northwestern part of Santiago, about a half-kilometer from the bay.Beyond those few clues, the details of Fidel Castros final resting place have been one of the most tightly kept secrets in Cuba.Early Saturday morning there were some state security officials on the street, several of which questioned an Associated Press reporter doing interviews with residents on the street and stood watch nearby as she proceeded to report.When Castros funeral caravan passes by, he said he planned to render one final salute.."We are going to take care of him," said his daughter, Ileana Lamar Rodriguez, 50. On Saturday, a white cloth was draped over a new structure near the mausoleum for Cuban independence leader Jose Marti."All of the revolutions history is concentrated at that cemetery," said Jose Francisco Guillot Castillo, 59, a cook in an oil refinery who lives in a house with a tin roof on the nearby Raul Perozo Avenue.Santiago: About a year ago, trucks full of building materials began arriving at the Santa Ifigenia cemetery in the eastern Cuban city of Santiago. His above-ground tomb bears the image of a golden guitar, cloaked in one of his signature Panama hats.

That is expected to end on Sunday morning, when the revolutionary leaders ashes are interred in a ceremony expected to give the world at least a brief glimpse of a tomb that will immediately become one of the most important sites on the island. Beyond a stately, white building at the entrance lies Martis large mausoleum, a tower where there is a changing of the guard every half hour. It was founded in 1868 and is the final resting place of some of the most important figures in Cuban history."Its a privilege to have him here," said Cruz Maria Pardo, 64, who worked at the cemetery cleaning the mausoleums for more than 20 years and said she had seen trucks bringing in materials for a little over a year.

Training in ballet from the age of 15 under the dance pioneer Margaret Howard, Joseph went on to the Washington Ballet as a scholarship student culminating in a minor role in a George Balanchine New York City Ballet production with Mikhail Baryshnikov.Introduced to Noh theatre through a poet friend’s translations, Joseph plunged into seven years in Kyoto, Japan studying and performing Noh dance-theatre and Kabuki, which has more flowing dance movements than the austere Noh.A "chance" encounter with two monks walking by his California beachfront home led to a conversation about Ladakh, who is the best dancer in Ladakh , a trip to meet "the best dancer" who was brother to one monk, and a major dance preservation and research projects in Ladakh.

From being a writer on dance and regular contributor to Ballet Review, New York since 1984, he now writes on sacred and traditional dance arts, curates, researches, creates archives and DVDs monasteries as Director of Core of Culture based in Chicago, Illinois." — Sharon Lowen is a respected exponent of Odissi, Manipuri and Mayurbhanj and Seraikella Chau whose four-decade career in India was preceded by 17 years of modern dance and ballet in the US and an MA in dance from the University of Michigan. Think I will settle for being the plumber and make something that works. Joseph found it to be "a wealthy period for Japan, and we worked with traditional artists from 14 different countries in the seven years of productions. At the same time he choreographed, taught and performed around Europe with Baha’I philosophically inspired choreographies, including New Hope for the Dead, a multi-media multi-art show involving a cast of 22 and a solo piece for the celebration of the Birthday of Bahá’u’lláh at the Royal Academy in Glasgow accompanied on viola by the Scottish BBC Symphony’s principal violinist. Filling out some of the eclectic professional dance experiences has to include Houseal producing TV pieces on the reconstruction of Nijinsky’s "La Sacre du Printemps" by the Joffrey Ballet alongside 3 years as artistic director for soul singer Chaka Khan. I was intrigued by what experiences and pathways had led an American ballet dancer to travel the globe in quest of endangered ancient dance forms to preserve, both archival and in practice. Joseph Houseal is Director of Core of Culture Dance Preservation, an organization committed to safeguarding Intangible World Heritage, with an emphasis on ancient dance and endangered movement traditions.com.

This and Baha’i Teachings influenced his work running his own dance company: Parnassus Dancetheatre in Kyoto which was a multi-cultural, interdisciplinary group incorporating dance forms from not only Asian and Western dance forms but also Arabian dance. After working with some of the biggest names in the world of ballet, he says was inspired by a particular Jewish tutor in this small college, Chaninah Maschler, who challenged his ideas and "taught me to refine my thinking about art, choreography, meaning and spirituality".I can never forget one particular statement made by an incredible dancer in San Francisco acrylic polymer manufacturers when we were catching up on the life paths of our fellow dancers since college. By age 22 he felt limited by the possibilities of "being the paint and not the painter" in the world of dance and stepped sideways to embark on a 4 year Great Books course at St John’s College in Annapolis. Though impressed with the beautiful Japanese understanding, "To be an artist is to be enlightened", Joseph adds "I don’t think this means so much that all artists are enlightened as that there aren’t really so many true artists". For now I’ll simply quote Joseph Houseal’s work ethic, "A lot of people want to be the emperor. She can be contacted at sharonlowen. Over the decades some had become leading dancers with Graham, Nikolai and Cunningham, others started their own dance companies and, sadly, a few had succumbed in the AIDs epidemic. John was active in social service and the words that stuck in my mind as we spoke of where we all were in life and accomplishments were, "after a successful career there are two kinds of people, those who give back and those who are selfish". My friend John Czwiacala had been in the Louis Falco Dance Company; perhaps New York City’s most technically demanding dance company of the time.What and how he approaches preserving endangered dance traditions is the scope of a future article.

The next path and passion was graduate research at the Laban Centre for Dance and Movement in London. In the USA, he was an Emmy nominee for his PBS work on a Kabuki dance, "Ancient Elegance". These words blaze, like the Hollywood sign, over the head of Joseph Houseal. In the 1980’s and 90’s, his dance choreography and performance was literally used as a definition for "‘multicultural movement forms’ which cross the culture-specific barriers: Kabuki to ballet, modern to Indian" in Valerie Preston-Dunlop’s book Dance Words. He was fascinated by Greek tragedy as a form because it incorporates dance, poetry, drama and music into one unified aesthetic effect.